I support emerging practices through small commissions, materials sponsorships, and occasional microgrants for production or framing. I help organize intimate studio visits and reading groups, and I contribute to community arts education and residency fundraisers when I can. Currently exploring a collaboration to seed a materials library for local artists. Links and details on request.
I’m not a full-time artist, but I make photographs and short essays as a way to look more closely. I’m drawn to textures—worn walls, taped posters, repaired seams—and to the slow light of early mornings and late evenings. Lately I’ve been learning basic printmaking and keeping a small notebook of exhibition notes, quotes, and sketches. My themes circle memory, repair, and attention: how to notice what usually goes unseen, and how care shows up in form.
I’m inspired by artists who honor restraint and material truth—Agnes Martin, El Anatsui, Theaster Gates—and by the ethics of repair and reuse. Books: John Berger’s Ways of Seeing, Anne Carson’s Plainwater, the writings of Kaja Silverman. Music: ambient, minimal jazz, and long piano pieces that make room for breath. I love architecture, urban ecology, and craft traditions—visible mending, handmade papers, pigments with history. Night walks, rooftops after rain, and the patient light of winter keep me curious. I’m interested in how art builds communities of attention and care, and how small acts—studio visits, fair fees, a good introduction—can change an artist’s path.
I’m inspired by artists who honor restraint and material truth—Agnes Martin, El Anatsui, Theaster Gates—and by the ethics of repair and reuse. Books: John Berger’s Ways of Seeing, Anne Carson’s Plainwater, the writings of Kaja Silverman. Music: ambient, minimal jazz, and long piano pieces that make room for breath. I love architecture, urban ecology, and craft traditions—visible mending, handmade papers, pigments with history. Night walks, rooftops after rain, and the patient light of winter keep me curious. I’m interested in how art builds communities of attention and care, and how small acts—studio visits, fair fees, a good introduction—can change an artist’s path.
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